authors

Now’s your chance to submit to us!

I’m going to try and make this short and sweet because if this post is for you, then you’re likely going to want to get busy putting together your submissions package and emailing it to us!

That’s right, as of RIGHT NOW our general submissions period is OPEN!!!

We’ve talked a lot about what we’re looking for, which you can find here. We’ve also talked about how we review submissions and what sort of things we look at when reviewing them. You can find that information here. And, of course, you can find pretty much everything you need to know on our submissions page, here.

What we haven’t gone into detail about on this blog yet is what you need to send; so here goes!

  1. QUERY LETTER

Please include a query letter with your submission. This can simply be in the body of your email. Your query letter must contain the following:

  • Your name
  • The title of your manuscript
  • The type of work (novel, novella, short story collection, graphic novel, ect.)
  • The genre (make sure it’s a genre we publish by checking our submissions page or our current list of titles.)
  • The word count
  • Your target audience (Adult, Young Adult, Middle Grade, Children’s, ect.)
  • A brief description of your overall concept for the book. This is called ‘The Hook’ If you need help with this part, check out our blog post on pitch-writing here.

If your query letter does not give us all the information we need, we will not be able to review your submission and will send a reply telling you as much.

  1. SYNOPSIS

Along with your query, please send us a one page long summary of your plot. Please make sure to include the following information:

  • The names and brief descriptions of your main characters
  • A brief description or explanation of the setting
  • The inciting incident (what change in your character’s life gets the story moving?)
  • A few examples of obstacles your characters face
  • The climactic moment
  • The ending (how is everything resolved?)

If your synopsis does not contain the information we need, we may not be able to detect if your manuscript is for us. Don’t make us guess, tell us what happens so we can make an informed decision.

  1. SAMPLE CHAPTERS

Along with your query letter and synopsis, please send three sample chapters, or the equivalent so we can get a taste of your writing. When preparing this part to send, please take a good look at your sample to try and determine the following things:

  • Is your opening line intriguing?
  • Is your opening scene engaging?
  • Is your sample relatively error-free?
  • Does your sample make a reader want to keep reading the rest of the book?
  • Is your writing active and engaging?
  • Are there any points that might come across as confusing or unclear to a reader?
  • Is the exposition, or any background information, woven into the story in a natural way?

These are some of the things that may cause us to reject your manuscript. If we detect any of these problems, we will let you know, so you can improve in these areas in the future.
Ok! If you’ve read all this and followed the guidelines, then you are ready to put that package together so what are you waiting for?! Go ahead and submit to us!

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The Moment you’ve been waiting for… Submissions open November 1st, 2017.

It’s that time of year again! We’re pleased to announce that our submissions will open again for a brief window starting November 1st, 2017. How brief of a window, you may ask? Well, that depends how quickly we find what we’re looking for! But submissions will be open at least through the month of November, if not until the end of the year. However, if you’re considering submitting to us this year, I feel I must warn you that we expect the competition will be fierce. See, the thing is, we’ve almost got a full line-up picked out for 2018, so at most we’ll be looking to pick one, possibly two more books and that’s it.

wg1If you want to see what kind of books we publish to see if yours fits in, please have a look at our store. You can try one of our books for free with the discount code: MWFREETRIAL

And if you want to see what new books we have coming up, take a look at our new releases page here. 

We’re looking for Escapism Fiction. Children’s, Middle Grade, Young Adult, or Adult, any target age will do, but please inform us in your query letter who the target audience is. We’ll also want to know the genre, either fantasy, romance, science fiction, adventure, mystery, paranormal, speculative, or some combination of those I just listed. Your manuscript’s word count is also important to include, because it tells us at a glance the length of the project we’re looking at. Is it a novel, a novella, or something else? Are you writing a series? If so, tell us. Tell us how many books we are to expect to receive from you if we take you on.

If you submit to us, we expect to see a query letter filled with the information mentionedSpellhaven cover above as well as a quick description of your book. We’d also like a 1 page synopsis that includes the ending of your story so we can see if you can craft a satisfactory ending. Send both of those things along with a 3 chapter (or equivalent) sample – Please do not send the full manuscript if it is longer than 25 pages.

When we receive your submission, we’re going to be looking very closely at your opening. We’re looking for stories within our theme and preferred genres that have strong engaging openings. In order for us to request your entire manuscript you will have to catch our attention and prove your writing is interesting, relatively error-free, and engaging in the first scene. If your writing compels us to read the whole sample and want to read more, you’re on the right track.

Regardless of whether we accept your manuscript for publication or not we PROMISE to send you our thoughts with advice for how to improve your manuscript or which direction to try next. Because crafting personal responses takes time, we ask that you allow us six to eight weeks to respond. We WILL respond to all queries we receive, so there’s no need to follow up with us. 418obP8qfdL._SL500_AC_SS350_

So get your submission packages ready! And remember, if you need help, to check out our YouTube Channel and this blog for writing and publishing advice!

For details on how to submit and what we are and aren’t looking for, please see our Submissions Page. Thank you!

How I sell books (Part 2) – A guest post by David McLain

Now that I’ve scared off half the readers talking about what hasn’t worked, let’s talk about what has. (See Part 1 here.)

So far nothing I’ve said has anything to do with you as a writer. I don’t know you, but if you are reading this, you’ve made it as far as finding my publisher’s blog. That’s a good thing- It means that you’ve probably figured out that self-publishing is, well, a crappy idea. Good for you. So, skipping ahead a moment, I can tell you that roughly 20 weekends a year I can be found sitting at either a booth or a table at either an art show, a steampunk convention, or a comic con, with copies of my last two books, in paperback and hardcover. This is the long, slow grind of indie book sales. People who come over to look at my book nearly always pick up the hardcover copy, admire it, and then buy the softcover, if anything. This is actually by design.

When you are working a show, you need to be able to explain your book in a sentence or two. This is called the strap line. It’s preferable if the strap line makes for a pretty good bit of dialogue, and I think it’s usually best if you keep the number buzzwords to a minimum.

Guy dressed as the tenth doctor: What’s this?

Me: That’s my book, The Traveller’s Resort and Museum.

10 Doc Guy: What’s it about?

Me: It’s the story of a Time Traveller who falls in love with three men- one from the present, one from the past, and one from the future. She misjudges them all.

I feel this compares pretty well with the line the guy at the next booth over was giving people: Okay, so strong female protagonist. Epic fantasy. Some steampunk. It’s a hero’s quest. The dwarves have lost the jewel of…. or something. I don’t remember. I don’t know how the book was written, but the pitch was surprisingly devoid of complete sentences.

coverimagettrmAt this point I have an advantage in that my book is surprisingly beautiful. It as a beautiful painting of a woman with red hair drinking tea and holding a pet triceratops on a leash on the cover. It has two dozen black and white pictures in it, and every chapter begins with a font indicating the location the chapter is set in- so if the chapter is set in the Stone Age the first two words look like carved stone. (By the way, people don’t judge books by their covers. But they do judge book covers by the pictures on them, and when they first pick up the book, all they have is the picture and the title.)

Now, if you ever been to one of these shows, you might have seen someone doing this. Most of them are going it alone, and have basically opened the one author book store. This is a good way to distribute your books to the public and attract a little attention for your work. It’s also financial suicide. So, to make this work, you’re going to need to have something else to sell along with your books. I don’t know what that is, you need to figure that out yourself. If you’re at my booth, you’re usually more likely to buy one of my wife’s embroidered bags with steampunk animals on them than my book. This is OK. The bags are the reason my wife doesn’t have another job, and that I can keep doing this. They’ve made the whole thing sustainable. Sustainability, and a good quality book is the reason I am still signing copies of my second book five years after it came out.

So, someone is holding a book of mine, they’ve looked at my beautiful cover, and they’ve heard my pitch. Maybe they’ve read the back of the book. (This is good. The back of my book is pretty funny.)

They now get that idea in their head- I can get this signed by the author. I think a lot of people picture themselves on the antiques roadshow. “I bought this copy of The Time Traveller’s Resort and Museum from David McLain in 2017 at the East Aurora Barn Art Festival, and I got both him and his wife to sign it. She did the cover.”

And then they buy it! Although I must admit, they don’t usually buy it in huge quantities. I don’t care though. My book gets out there, little by little, and I get to go to shows, and sign copies of my book, and do readings, and sometimes, just sometimes, meet a fan. A real genuine honest to goodness fan, who thinks my work is awesome and wants to read more. Not only that, but over time, the money adds up. Sales of my books are already over 7000.00 gross in the last five years. Maybe that doesn’t sound like a lot to you, but would you turn it down if someone handed it to you? I thought not. I wouldn’t either.

When I go to shows, I frequently ask other writers about the best line from their work, their ‘To be or not to be’ if you will. You know what the most common answer is? ‘I don’t know.’ Think about that. ‘I don’t know.’ I would suggest that means something- that we’re all making this up as we go. Writing isn’t easy. Even Shakespeare quit and became a landlord. Keep at it, and good luck.

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David McLain studied writing at the University of Massachusetts. He is the author of the two novels: Dragonbait, and The Life of a Thief. His stories have been published in the anthologies Metastasis, Penny Dread II, and the upcoming Doctor Who Anthology Time Shadows, as well as over two dozen magazines, including Harvard’s Dudley Review. He has been featured on NPR’s Off the Page and the History of England podcast. He lives in New York.

So Many New Worlds to Explore…

I know I just did one of these update kind of posts, but I’ve been so busy there’s more to tell. Here’s what we’re currently working on at Mirror World in no particular order:

Sandra Unerman’s Spellhaven: I got my first shipment of Spellhaven paperbacks yesterday and they look phenomenal. I can’t wait to share the cover with you on July 13th! Spellhaven is now also available for pre-order. You can order your copy from your favourite book retailer, or directly from us. Or, if you’re a reviewer, you might be interested in the copies we’ve allocated to Library Thing to give away as ARCs. You can claim one of those, here.

Leigh Goff’s Bewitching Hannah: This book is next on our new release list, launching September 17th, with a cover reveal coming in August. I’ve just finished creating the ebook and formatting the print interior and I’m now working hard on finalizing the cover layout. Again, I’m really excited to share this one with you! You can read about this book on our website, or subscribe to this blog or our newsletter to be the first to hear more details as we announce them.

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Rita Monette’s Nikki Landry Swamp Legends Series: We’re pleased to announce that Nikki is back again! Author/Illustrator, Rita Monette, has outdone herself with The Mystery on Lost Lagoon, the fourth installment of the series. We’ve tentatively scheduled this for a November 2017 release and we’re currently working on ideas for the cover.

Joshua Pantalleresco’s The Wandering God: Joshua was the first outside author to join the Mirror World family with his epic poem, The Watcher. Last year, he followed that up with Stormdancer and this year we’re bringing you the stunning conclusion to this epic post-apocalyptic tale. Currently in the editing phase as we wait for Florence Chan to work her magic, we expect this will be ready to launch October 2017.

mixterIn addition to all this, we’re also already looking ahead to 2018 with the children’s book, Mixter Twizzle’s Breakfast by Regan W. H. Macaulay and the quasi-sequel to Spellhaven, Ghosts and Exiles by Sandra Unerman. We’re also looking forward to Book Two of Sharon Ledwith’s Mysterious Tales from Fairy Falls, Blackflies and Blueberries.

And last but not least, we have Mirror’s Deceit by Justine Alley Dowsett and Murandy Damodred, the third in the Mirror World series. Currently Mirror’s Deceit is being given a once over by our Editor, Robert Dowsett, but will soon be available for beta readers. Whether you’ve read Mirror’s Hope and/or Mirror’s Heart or not, if you’d like to beta read Mirror’s Deceit, please get in touch with us. We expect to be able to have the beta readers start in August.

Here’s the description:

Mirror’s Deceit by Justine Alley Dowsett and Murandy Damodred

Dark Fantasy/Romance – Coming in 2018!

In a seeming utopia, Mirena, a gifted student of majik, is on the verge of graduating from a secret college that will give her a leg up in her political career, when her achievements are overshadowed by the arrival of a mysterious woman with an unknown agenda.  Desperate to keep what she sees as her rightful place in the spotlight, Mirena goes to astounding lengths including taking it upon herself to pose as a double agent to investigate a rebel force plotting to destabilize the government. Unfortunately, her actions cost her the trust of those around her, so when she is proclaimed the Dark Avatar of the Destroyer, she finds she has nowhere to turn.

Public Speaking for Authors

 

Lately, this has been the topic I’ve been tackling in my day-to-day life, so I thought I should tackle it here as well.

Stage-Fright-Holding-You-BackLike most writers I know, I’m an introvert. I prefer to write, read, edit, and generally work behind the scenes. When I go out to network, sell books and meet people, I often find myself needing to hole up and recharge afterwards. It takes a lot out of me. But, it’s also a big part of what I do as a publisher and a published author.

Especially this month. Somehow this month’s schedule got filled with speaking engagements, and opportunities to read my book aloud in public. And all of those opportunities happening to fall within the same week and a half have caused my nerves to fray terribly.

So, how, as an introverted person, do I deal with this?

Be prepared

This might seem like a no-brainer, but picking out what section you’re going to read in advance and/or writing out your presentation or speech beforehand and editing it as thoroughly as you might edit your query letter to a publisher will help you feel more at ease with what you’re doing and it will make you more familiar with what you’re going to be reading or saying.

keep-calm-and-let-s-practice-11Practice

Once you have your words picked out, practice saying them out loud. Read to your cats, or like Murandy did, your baby. Read alone, or to someone you trust. It’s all about practicing in a judgment-free zone until you feel more comfortable.

Try not to dwell on it

Whenever you start thinking about it and you feel that anxiety creeping up on you, try to force it down, or will it away. Find something else to focus on and whatever else you do, don’t wallow in that feeling; that will only make it stronger. Find a friend to distract you, or play a video game or something, it will pass.

Speak confidently and slowly

When you get to the actual moment of reading or speaking start loud and keep that pitch, then make sure everything you say is said with emphasis and that you don’t speed up out of nervousness. Speak slowly and enunciate, just like you practiced.

a076a7851bc423dcd8645975b8d4e2c2Make jokes

If you can get the audience to laugh, you’ll feel loads better. If your subject warrants it, or if comedy helps you feel more comfortable, then use it. Engage with your audience and make eye contact with them when you can so speaking to them feels more like a conversation and less like a speech.

Celebrate afterwards!

Never underestimate the value of rewarding yourself for a job well done. If you got over your fear and accomplished what you set out to do, then go celebrate. You’ve earned it.

Planning for Pantsers

I’m a pantser. What does that mean? It means that I’d rather ‘write by the seat of my pants’ than plan anything beforehand. However, with my latest book Uncharted, written with my co-writer Murandy Damodred, we did more planning than I’m used to and I think it helped us.

Making Notes:kelsey-blog-pic-3-1o07fm8


Since Murandy and I co-write, we use Google Drive to keep everything straight. If you’re not familiar with Google Drive or Google Docs, it’s an open platform where you can share your documents and multiple accounts can work on the same document at the same time. It also serves as a cloud drive, so your work is saved and backed up automatically and anyone you give access to the files can open them up and work on them. This helped us with planning because while writing we always had access to our notes file, which became a living document, changing as the story expanded.

Uncharted CoverSetting and Worldbuilding:

Usually I do a lot of the world building in my own head, but since Uncharted is an adventure story that takes place in a variety of settings and cultures, I made a point of writing down a handful of things to keep in mind about the settings, so I would make sure to include them.

stock-vector-hand-drawn-cartoon-characters-on-checked-paper-broken-divided-group-65099188Characters:

This is where the planning really came in handy. Before we started writing, Murandy and I wrote out detailed backstories for each of our main characters and at least a sentence or two about our minor characters as we invented them. This helped to flesh everyone out and make sure we knew where they had come from and what was important to them because of that.

Plot:

This is where our best of intentions sort of fell apart, but in a good way. Before we started writing, we formed a point form list of plot points then we proceeded to ignore them. As we wrote, we went back and added new plot points to our list and kept adding to that list to stay a few steps ahead of the story, but ultimately this was a form of pantsing more than planning.  

Editing:

Where the notes really came in handy was when I went to write the second draft. All throughout the first draft, instead of going back and fixing things that needed changing, I took notes instead. Then, when I went over the finished first draft, I applied the changes or checked for the problems I’d indicated. It saved me a ton of time and it also meant that Murandy and I could write quickly, without feeling like we were making a mess of things.

pantser-or-plotter-writing
All in all, if you’re a pantser, like me, I suggest trying to apply some planning to your process just to see what you can learn. And if you’re a planner, take a risk and try a little pantsing! Thanks for reading!

How to co-write your novel

Murandy Damodred and I wrote our fantasy / romantic comedy novel, Uncharted, together. This is not our first co-written novel. In fact, it’s our fifth, so we’ve got a system worked out. There are lots of ways to divide the work, but here’s our method:

cowriteFirst we split up the characters:

Since we write primarily romance, our stories have at least a male protagonist and a female protagonist, so for Murandy and I what works best is to divide the characters by gender. Murandy tends to write the female main character or characters and I write the male ones. This way, we split up the work and while writing, it’s easier and more interesting to have conversations with each other.

For Uncharted, that’s Meredith as the protagonist and Reginald and Grey as the lead male characters.

We discuss the story and the world and decide where we want to start:

Generally speaking any planning we do as far as coming up with the concept of the story and who the characters are has been done before this point, but now that we know who’s who, we can flesh things out. We bounce ideas off of one another to decide where the story begins and where the inciting incident is.

Ismera copy

In Uncharted, we started with the prologue. We wanted to show the moment that sets Meredith on her journey, as that journey was going to be central to the plot.

I set the scene:

As the narrator, it’s my job to describe the setting and to set the scene for the character(s).

From the prologue of Uncharted:

Noiseless on slippered feet, Meredith darted swiftly to the oversized double doors of the Celestial Chamber. She glanced once quickly over each shoulder to make sure she was still alone in the Great Hall before she gave the wide gilded handle a tug and felt the latch give way. With a grimace of effort, she pulled the heavy door open just enough to allow herself to squeeze into the chamber beyond.

Expecting darkness, moonlight dazzled her senses. The silvery light pooled in the middle of a wide and perfectly round central platform, serving to bring focus to the reason for this room’s existence: an ethereal-looking blue bowl lined with silver and filled with glittering water.

The Celestial Bowl beckoned to Meredith from its place on the solitary stone pedestal in the centre of the chamber. The sound of rushing water from the underground river that surfaced briefly in this room filled her ears as she let the heavy door fall quietly shut behind her.

Murandy decides what her character is thinking, doing, or saying:

In response to the information I’ve given her in my description of the scene, Murandy decides what happens next based on her character’s motivations.

I shouldn’t be in here, a small voice in the back of her mind reminded her, even as she took a step toward the glittering artifact. It’s only that I just can’t help but question if this life is for me. I want a family, a home…and a husband. I owe the Order for what they’ve done for me, but if I stay here and become a Priestess, I can’t have any of those things.

If I can just have a look at my destiny tonight, then maybe the path I should take will become clear. Besides, she countered the nagging sound of her conscience, if I wait until tomorrow’s ceremony to see my future, it will be too late to change it.

I let her know how the world or the characters around her react:

Her decision made, Meredith closed the distance between herself and the bowl with purpose, crossing the small, railless stone bridge spanning a gap over the rushing water beneath. As she neared the bowl, she kept her eyes fixated on the calm, reflective surface of the water within, not wanting to chance missing even the slightest bit of whatever vision it might grant her. Moonlight glinted off the silver interior of the bowl, making the room seem brighter than it actually was. As if in a trance, she lost herself in the beauty of the dancing light and that was when she saw it.

A man, no…only his torso, wearing a dark grey suit coat buttoned over his left breast. He stood with pride in his bearing, but beyond the grey coat and a single purple flower in his lapel the image cut off at the neck and didn’t show his face. Meredith leaned forward, trying to get a better angle.

The vision, if that’s what it was, continued and she saw herself from behind, unmistakeable with her lengthy waves of chocolate brown hair cascading over the hood of her light grey Priestess cloak. The vision of herself flung herself at this man and his arms reached up to hold her. Engrossed now, Meredith leaned directly over the bowl, determined to get a glimpse at the face of her mystery man when the image in the silver-lined water abruptly disappeared.

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And so it goes:

Back and forth, the action and dialogue unfold as control of the scene is passed between us. And when one scene ends, we repeat the process, deciding where to start, setting the scene, adding thoughts, actions and dialogue, and responding. This is what works for Murandy and I, but there are lots of ways to co-write and divide the work. The trick is to work with someone you can rely on, trust, and generally get along with because co-writing takes a lot of compromise and being on the same page.

Thanks for reading! Have any thoughts or questions about co-writing? Have you tried it? Leave your comments below!

Up next: Uncharted by Justine Alley Dowsett and Murandy Damodred

In anticipation of our 2017 releases, I wanted to interview each of the authors, but I’ve tried, and I simply can’t interview myself. So, instead let me just tell you a little bit about where I’m at now and what my upcoming new release is all about.

07bcdcc12df687f02e58c2def519f9a9There’s less than two months left until Uncharted is released into the world and I’m excited and nervous and experiencing all the other feelings that come with sending a labour of love out into the world.

Next month, on March 20th, we’ll reveal the cover right here on the blog. I can’t wait to show it to you. Sara Biddle, www.salizabeth.net, is the extremely talented digital artist behind the Mirror World series, Unintended and now, Uncharted. As always, she has gone above and beyond any expectations we had and created something truly lovely.

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Uncharted, in case you’re wondering, is a love story set in the multi-cultural historical/fantasy world of Ismera (the same as Unintended). In it, a woman named Meredith questions her future as a priestess of the Order of Saegard and runs away. On the night she leaves, a legendary artifact is stolen from the temple and she’s blamed for it. Suddenly a fugitive, Meredith stows away on a ship belonging to an off-duty naval officer and a ex-con man posing as his business partner. Together the three of them must evade the law while they work to clear Meredith’s name and track down what was stolen and why.

Uncharted will soon be available for pre-order and will launch on April 17th, 2017. We’re in the midst of planning what we’ll do to celebrate, so subscribe to this blog or our mailing list to be kept informed.

As you may or may not know, Murandy, my sister and co-conspirator… I mean, co-writer, is on maternity leave with her four-month old, but we’re still writing. We’re in the middle of this years’ #85K Challenge (that’s 85,000 words in 90 days) and we’re a little over halfway through two different projects. The first is the next installment in the Mirror Series, working title, Mirror’s Redemption. And the other is the much-anticipated sequel to our first novel ever written together, Neo Central.

1usWith a passion for media and sales, Murandy has a strong background in public relations and promotions as well as an education in Drama and Communications. Justine is an author herself and has worked in a multitude of industries, including publishing. She comes to Mirror World Publishing after acting as Producer and Business and Marketing Director for First Age Studios, a video game design company.

 

Coming soon: The end of an epic.

Next up in our new releases for 2017 is the long awaited finale to The Watcher Trilogy, called The Wandering God.  If you haven’t read The Watcher, or its sequel, Stormdancer, I urge you to give them a try. Joshua Pantalleresco has created a truly unique post-apocalyptic world where dragons rule over what remains of the human race, and one young boy dreams of discovering the world beyond the slave compound he was born into. This young boy, The Watcher, sets out to discover what else is out there and in the sequel, Stormdancer, shows his friends the value of doing the same. What awaits us in this final installment? Well, I’m just as eager as you to find out.

What is most unique about Joshua Pantalleresco’s epic is its style. The complex and deeply intuitive story is told through simple accessible poetry and beautiful graphic art by the extremely talented Florence Chan. Through the eyes of The Watcher, and later, each of his friends, we learn to see the world as a multitude of opportunities just waiting to be explored. If you’re looking for a unique experience and an even more unique view of our possible future, then I suggest you get started on The Watcher and Stormdancer before The Wandering God becomes available in June 2017.

WatcherFront copy

The Watcher: http://mirror-world-publishing.myshopify.com/collections/young-adult-fiction/products/the-watcher

There is more… 
On the top of a tower, guarded by dragons, the Watcher gazes out into the horizon. While the rest of his tribe work and toil, The Watcher questions what is beyond the walls. Determined to find out, he escapes his captors trying to find out just what is out there.

An imaginative and engaging story, The Watcher will help you see poetry in a whole new way. Escape into the world of a slave boy who dreams of something more and journey with him as he discovers what mysteries the world holds.

There is more. The Watcher proves it. Discover it for yourself.

Cover-Final-8by11Stormdancer: http://mirror-world-publishing.myshopify.com/collections/young-adult-fiction/products/stormdancer-e-book

The Storm is Here…
Days after the events featured in The Watcher, The Watcher is taken hostage by a dragon,
leaving Kristen, Will and Nicki alone in a strange new world. With no choice but to try and rescue their friend, Kristen and the others must travel through ancient cities, forgotten burial grounds, and eventually into the heart of the great storm. Faced with the unknown, will they be able to traverse the storms that stand before them as well as ones within their own hearts?
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Joshua Pantalleresco writes fiction, poetry and comics. He also loves to do interviews. He has written columns for comicbloc and allpulp and currently does so for comicmix. The Watcher is his second book of poetry. He resides in Calgary. https://joshuapantalleresco.com/author/jpantalleresco/
To keep up with updates regarding The Wandering God, please subscribe to this blog, our mailing list, or check back often. We expect The Wandering God to launch June 17, 2017.

Our Submissions are OPEN – Here’s what we’re looking for…

This is it. The moment you’ve been waiting for;our submissions are open once again!

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As a small independent publisher, what we’ve found works best for us is to open our submissions in the fall and leave them open until we’ve confirmed our new releases for the upcoming year. This year we’re looking for 3-5 titles to release in 2017 and we’ll keep accepting submissions until we find them.

So how do you submit to us? Well, it all starts here. On our website’s submissions page we list all the types of books we’re looking for and all the ones we absolutely will not be interested in. We also outline what to send us, where to send it, and how long you should expect to wait for a response. We’ve also included some helpful links to videos we’ve made to help you prepare your manuscript and submission package, not just for us, but for anywhere you choose to send it.

But what’s going to set your submission above the rest? What are we really looking for? Well, I’ll tell you.

Your Query Letter

When we receive a submission, the first thing we look at is your query letter. Typically this should be in the body of your email to us. What we’re looking for here is a sense of who you are and what your book is about. Your ability to write well matters even in your query letter because it is your first impression. We’re also looking for the following bits of information:

  • Your genre (or target audience)
  • Your word count (or scope of the project)
  • Your credentials (or writing history)
  • Your concept, what hooks your reader.

Your Synopsis

Next, we’re going to look at your synopsis. This should be no more than one page and is simply a way of introducing us to your story, your setting, your characters, and the plot. We’re looking to see if the story interests us, but we’re also trying to gauge your ability to tell a story and wrap it up effectively. We want to see how the story ends and we want to see your style as a writer. Please include:

  • Your setting
  • Your main characters
  • Your concept, what hooks your reader
  • Your major plot points
  • A satisfying conclusion

Your Sample Chapters

We ask you to send three chapters with your submission package. We’re looking specifically for an engaging opening. We want to be drawn into your story’s world immediately; We want to care about your main character and we want to be interested in what’s going to happen to them. In short, you need to hook us, your reader. Then, you need to hold our attention for three chapters. If you can do that, we’ll ask to see more. We’re looking for:

  • Your style, or ‘voice’ of your writing
  • Your inciting incident, (again, what hooks your reader)
  • Your writing ability (and level of polish)
  • Your world-building
  • The believability of your characters
  • How well you’ve realized the potential we detected in the query letter or synopsis.

If you receive a rejection letter from us:

There are a number of reasons that we might not want your manuscript and we will do our best to tell you exactly why that is. We strive to provide detailed notes for you so that you will be better prepared no matter what steps you choose to take next in your publishing journey. Keep in mind that publishing is a very subjective and selective business and that what doesn’t work for one publisher, may work well for another. Some of the common reasons we pass on a manuscript are as follows:

  • It’s not in our genre, or doesn’t fit with our current list of titles (see our collection here)
  • It’s not ready for publication and needs improvement of some kind
  • Something in it conflicts with our message or values (learn more about us, here)
  • It just didn’t interest or engage us
  • We ask for the full manuscript, but the story doesn’t realize the potential we see in the sample

submissions

I hope you’ve found this blog post helpful and I look forward to reading your submissions!

Go to http://www.mirrorworldpublishing.com/submissions to get started!