Now’s your chance to submit to us!

I’m going to try and make this short and sweet because if this post is for you, then you’re likely going to want to get busy putting together your submissions package and emailing it to us!

That’s right, as of RIGHT NOW our general submissions period is OPEN!!!

We’ve talked a lot about what we’re looking for, which you can find here. We’ve also talked about how we review submissions and what sort of things we look at when reviewing them. You can find that information here. And, of course, you can find pretty much everything you need to know on our submissions page, here.

What we haven’t gone into detail about on this blog yet is what you need to send; so here goes!

1. QUERY LETTER

Please include a query letter with your submission. This can simply be in the body of your email. Your query letter must contain the following:

• Your name
• The title of your manuscript
• The type of work (novel, novella, short story collection, graphic novel, ect.)
• The genre (make sure it’s a genre we publish by checking our submissions page or our current list of titles.)
• The word count
• Your target audience (Adult, Young Adult, Middle Grade, Children’s, ect.)
• A brief description of your overall concept for the book. This is called ‘The Hook’ If you need help with this part, check out our blog post on pitch-writing here.

If your query letter does not give us all the information we need, we will not be able to review your submission and will send a reply telling you as much.

1. SYNOPSIS

Along with your query, please send us a one page long summary of your plot. Please make sure to include the following information:

• The names and brief descriptions of your main characters
• A brief description or explanation of the setting
• The inciting incident (what change in your character’s life gets the story moving?)
• A few examples of obstacles your characters face
• The climactic moment
• The ending (how is everything resolved?)

If your synopsis does not contain the information we need, we may not be able to detect if your manuscript is for us. Don’t make us guess, tell us what happens so we can make an informed decision.

1. SAMPLE CHAPTERS

Along with your query letter and synopsis, please send three sample chapters, or the equivalent so we can get a taste of your writing. When preparing this part to send, please take a good look at your sample to try and determine the following things:

• Is your opening line intriguing?
• Is your opening scene engaging?
• Is your sample relatively error-free?
• Does your sample make a reader want to keep reading the rest of the book?
• Is your writing active and engaging?
• Are there any points that might come across as confusing or unclear to a reader?
• Is the exposition, or any background information, woven into the story in a natural way?

These are some of the things that may cause us to reject your manuscript. If we detect any of these problems, we will let you know, so you can improve in these areas in the future.
Ok! If you’ve read all this and followed the guidelines, then you are ready to put that package together so what are you waiting for?! Go ahead and submit to us!

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Wrapping up 2017 – Here’s what you have to look forward to!

November 1st, 2017

‘Tis the season… for Submissions! Here’s another reminder, we’re opening our submissions season November 1st, so if you have a manuscript you think we’ll love, send it our way! We’ve written a whole blog post on this topic and what we’re looking for this year here, so go over and check that out or head over to our website to read over our submissions page. Our whole team is itching to start reading what you have to send us! Submissions will remain open until we’ve found our 2018 line up or the year ends, whichever comes first!

 

November 4th and 5th, 2017

This weekend we’ll be in London, Ontario for the Southwesto Book Expo! We’ll have our entire collection with us, so if there are any books you are looking to pick up and you’re in the region, this is a great opportunity to come out and see us! Also, we’ve been asked by the Expo and the London Writers’ Society to make ourselves available to listen to queries and pitches from authors, so if you’d like to speak to us or hand your submission in IN PERSON this is your opportunity to do so! Either way, we look forward to meeting you!

 

November 9th, 2017

If you’ve been enjoying the short serial fiction stories on this blog lately, you’ll be pleased to learn that Sharon Ledwith is the author of the next one starting November 9th! Titled The Terrible Mighty Crystal, Sharon’s short serial is a prequel to her well-loved time travel series, The Last Timekeepers.

 

November 13th to 17th, 2017

As you may or may not know, we’ve recently released the finale to Joshua Pantalleresco’s epic series, The Watcher. The third and final book is called The Wandering God and is now available in our store and online wherever you buy books. And, on November 13th, we’re kicking off a blog tour for The Wandering God, so you can learn more about it, read excerpts, get sneak peeks at the art, and read guests posts and interviews from Joshua Pantalleresco about his epic journey in writing this epic series.

 

November 17th to 24th, 2017

Following the blog tour for The Wandering God, we’re pleased to be able to celebrate the launch and blog tour for the fourth installment in the Nikki Landry Swamp Legends Series! Nikki and Snooper are back and this time they’re on an adventure THROUGH TIME in The Mystery on Lost Lagoon! We’ll reveal the cover for this book next week on November 6th,  so keep your eyes open for that!

Date TBA, 2017

We haven’t yet hammered out an official release date, but we’re pleased to announce that Nate Friedman, author of The Coffee Monster, has another book coming soon! The Last Hockey Fight is a short chapter book for children who like both reading and hockey! Illustrated and written by the author and set in our hometown of Windsor, this book is sure to be hit this holiday season!

 

The Months of November and December, 2017.

It’s that time of year again! We’re hosting our very own holiday SALE!!! So if there are any titles you are waiting to pick up, December is the time to do it! Use code HOLIDAY2017 in our bookstore for 25% off ALL TITLES, paperbacks and ebooks alike!

How I sell books (Part 1) – A Guest Post by David McLain

(Spoiler: It doesn’t involve the internet much)

Hello, for those of you who don’t know me, I’m David McLain. I’m the author of, among other things, the Time Traveller’s Resort and Museum, available from Mirror World. I made enough money last year off of the sale of books to make maybe two payments on the mortgage on my house, not that we necessarily spent the money that way. I’ll let you make of that what you will. Usually, when I go out with other writers, someone scoffs at- frequently in spite of the fact that they’ve never published anything in their entire lives. All the books that I’ve ever written will never compare to all the books in their head just waiting to come out, someday.

As an independent writer who has never landed a book with a major publisher, I can’t tell you how to become a bestselling author. Nobody can. There are a few unpleasant but obvious truths I’m going to have to mention here, and the first one is that if you met JK Rowling, and asked her how to become a famous author, the most honest answer she could give would be ‘I don’t know.’  People like that are just lucky, and luck is considerably more difficult to predict than lightning strikes. Having that kind of luck should not be your goal in life, no matter you are trying to achieve.  What I can tell you how to do is how to make two mortgage payments a year with book money. You can decide for yourself if that’s worth it. What say next may be a little more surprising- it doesn’t involve the internet very much.

I’ve been a writer for a long time now, and I’ve seen people do a lot of strange things in the interest of self-promotion. Once, many years ago, I was part of an online writing group where a young man created an account under a fake name so that he could review his own story. His glowing review of his own work was enough to project him onto the board’s list of the best reviewed stories of the month. (It wasn’t a very big board.) he then logged in under the fake name and congratulated himself for getting such a good review, and then logged out again, logged back in as himself, and congratulated himself for thanking himself. I googled his name shortly thereafter. I found a list he written of ‘The Top Ten People to Watch in 2005.’ It was a list of nine celebrities and himself.

The young man was suffering, I believe, from two of the more popular delusions among writers. The first, and most common, is the mistaken notion that the place your book occupies in the world will be similar to the very, very large space it occupies in your head. The second, and only slightly less common mistake is the idea that internet traffic will somehow reach a critical mass that will end up with the author achieving best seller status. Now, it’s possible you might be doing something, anything that might generate a lot of interest in you as a person, meaning people want to buy a book from you. However, and I take no pleasure pointing this out, to the best of my knowledge no novel has ever gone viral on the internet, ever. The closet anyone has ever come was when three unpublished stories by JD Salinger came out a few years ago. That was JD Salinger, someone who originally got very, very lucky, and even then, calling it viral is kind of a stretch. Over the years, I’ve tried a lot of things to generate sales online- I’ve guest hosted a podcast called the history of England several times, I had my friend Jeff Mach promote my book on the Steampunk World’s Fair Page, which gets thousands of visitors. I have a Facebook group for fans, a Goodreads page, an author page on Amazon, and a blog. My biggest online success was the time I got a like and a follow from the actress Carrie Fisher on Twitter right before she died. This involved no sales but I did get to strut around my regular job all day like I owned the place. In short, I’ve tried probably everything you’re probably thinking of doing to create an online presence, and by and large it hasn’t worked, at least so far. This generally has to do with the internet’s inverse relationship between interest and effort, as demonstrated in the following graph:

David McLain studied writing at the University of Massachusetts. He is the author of: The Time Traveller’s Resort and Museum, Dragonbait, and The Life of a Thief. His stories have been published in the anthologies Metastasis, Penny Dread II, and the upcoming Doctor Who Anthology Time Shadows, as well as over two dozen magazines, including Harvard’s Dudley Review. He has been featured on NPR’s Off the Page and the History of England podcast. He lives in New York.

To be continued… Subscribe or check back next week for Part 2 of this guest post!!!

 

 

How many words is too many words?

For me, there’s nothing more cringe-worthy than when a first-time author announces that their manuscript is over 200,000 words, or worse yet, 300,000 words. The worst part is that they usually say with pride, like they’re looking for praise. I’ll admit, writing that many words is quite an accomplishment and for that reason, they should be proud, but announcing a single volume manuscript that long tells me that the writer has not done their research in regards to how long their novel should be to fit established guidelines.

Now, most word count guidelines are just that; guidelines. That said though, there are practical reasons why those guidelines exist. That’s not to say that a 200,000 word manuscript can’t be published that way, but it’s less likely to be and it will run into a few problems trying to get there.

First, let’s look at traditional publishing. First, a publisher (or agent) is going to be looking within a certain range for the length of books they’re willing to work on. One reason for this is that the longer the book is, the more effort and time it takes to get it ready for publication. A second reason is that for marketing purposes, each genre has an established word count range which readers expect to find when they pick up a book in their preferred genre.

According to ‘The Write Life’, here are the guidelines for most genres:

Fiction Genres

• Mainstream Romance: 70,000–100,000 words
• Subgenre Romance: 40,000–100,000 words
• Science Fiction / Fantasy: 90,000–120,000 (and sometimes 150,000) words
• Historical Fiction: 80,000–100,000
• Thrillers / Horror / Mysteries / Crime: 70,000–90,000 words
• Young Adult: 50,000–80,000

Now, what about self-publishing? You might think that if you’re not trying to get the attention of a publisher or an agent that word counts don’t matter, but you’d be wrong. Readers also have expectations and it is easier to market to people if they know what to expect. Not only that, but printing costs come into effect. If you’re book is monstrously long it’s going to cost waaaay more to print than your average book that that’s going to impact what price you set and therefore your bottom line.

So if you have a manuscript that’s way over or under the word counts suggested for your genre, I recommend taking a closer look to see if you can add or remove sections, or consider making your monster of a manuscript into several volumes. Trust me, you’ll thank me later.

Here’s another handy breakdown:

General

• Flash Fiction: 300–1500 words
• Short Story: 1500–30,000 words
• Novellas: 30,000–50,000 words
• Novels: 50,000–110,000 words

What about you? Do you think about word counts when preparing your manuscript? Thanks for reading and please leave your thoughts below!

The importance of being organized

I’ve always found scheduling and organizing to be a challenge. It’s probably because I’m really not a planner. Most things, including my day-to-day schedule exist in my head, or on little scraps of paper when I choose to jot something down. However, since I became an entrepreneur I’ve had to do more in the way of keeping myself organized.

Here are two methods I’ve taken to using that really work for me.

Professionally, I’ve grown to love Asana. It’s a free web-based program (which also includes a phone app). It’s a wonderful tool for project management and it really helps to keep everyone on the same page when working in team environment. We use it here at Mirror World to keep track of the progress of each book and also our submissions. Each member of the team gets an account, then you create projects and can assign them to people along with due dates. You can see them as a list, or on a calendar, and there are progress bars and check-ins so you can see how everyone is keeping up as well as leave notes and files for each other. You can check it out for yourself here: https://asana.com/

The other system I’ve very recently taken to using is Bullet Journaling. This method is manual and the cool thing about it is that you can use any notebook you have lying around to get started, so again, it’s free. The premise is that there are a series of symbols you use to track your tasks, notes, and events, and you add and change them as you go, marking when something is complete, or still needs attention. It’s very simple and doesn’t involve me remembering to access some app or website to use it. If you want to learn more about this system, check out their website: http://bulletjournal.com/

With how busy my life is between running a company, writing and publishing books, and working part time, these two systems have been a life-saver. What about you? Do you have trouble staying organized? Would you consider one of these systems or do you have your own? Let me know in the comments below. Thanks for reading!

 

 

From Blurb to Pitch, how to describe your novel.

Answering the question, “What is your book about?” can be hard to do. You feel put on the spot, at a loss for words, or maybe when you do try to answer the question, it doesn’t sound as interesting and engaging as you know your book to be.

There is a simple way to fix this and the answer is to prepare your response in advance and then practice it until it sounds natural when you say it. That way when asked what your book is about, you’ll answer instinctively in exactly the right way to get the person you’re talking to interested in reading your book.

That one-sentence version is called your elevator-pitch. It’s the same one-sentence that you would presumably give to an agent or editor to get them interested in your book. You could do this in person, say, in an elevator, or like most people you can use it in your Query Letter. You can also use it to tell readers what your book is about so they want to read it.  

So how do you come up with that crucial 1-2 sentence pitch? Well, I start with the blurb, or what I like to call the BOB, the Back Of the Book.

This is assuming you’ve already written this. If you haven’t, you might want to check out our last post: How to write a good blurb.

But say your blurb goes like this:

Destiny is not matter of chance, it is a matter of choice.

Fated to be a Priestess of Saegard, Meredith dreams of leading a normal life with a family and a home of her own, something she’ll never have if she swears her life to the Order.  A chance encounter with a stranger in the sacred Celestial Chamber sends her previously well-ordered life into a tailspin of adventure and mayhem as she is blamed for the theft of a legendary artifact. Now a fugitive, Meredith must join forces with Captain Reginald Lawrence, the son of the man who initially brought her to the Temple, and his enigmatic business partner,  the charming yet at times infuriating, Grey Rhodes, to find the Celestial Bowl and clear her name. From the cosmopolitan capital of Saegard to the coast of Ismera and back again, Meredith’s journey will reveal the true nature of her past, present, and ultimately, her future.

By the way, this blurb is from Uncharted which is set to launch April 17th. For more information on Uncharted, click here.

In order to make your pitch, you want to distill this down as much as possible, preferably to one or two sentences at maximum. You don’t have to do this in one step though. You could take your blurb, trim it down to size, and then adjust the results or you can list the crucial aspects of your story and then try to form your pitch from there.

Let’s try it, shall we? You want to make sure to include your main character(s), your setting, your inciting incident, and a hint of your theme.

For Uncharted, that’s:

Characters: A priestess, a Captain and his business partner
Setting: A fantasy realm, a navy ship
Inciting incident: becoming a Fugitive and stowing away
Theme: Destiny is choice

The Pitch: A fugitive priestess alters her destiny by stowing away on a ship belonging to a naval officer and an ex con man.

I added the ‘ex con man’ part to give more of a hook, but essentially I’ve covered all the crucial bits of information and arranged them into an enticing pitch. I hope this makes you want to read Uncharted when it comes out on April 17th!

What about you? What’s your book about? Let me know in the comments section below!

 

Cover Design 101

Cover designer is one of those hats I didn’t expect to wear when I started Mirror World. At the time, I was fairly new to Photoshop and I’ve never considered myself to be an artist. But the most important part of designing a cover for a book is having a vision of what it should look like and being able to communicate that vision to create a final product, whether you end up making it yourself, or finding an artist or another cover designer to realize it for you.

So how is it done, then?

Step 1 – The Vision

As I read or write the book, I try to keep an eye out for a scene or for facets of the book that would make for a good cover image. For Unintended, for example, the scene on the cover is the from the end of the first chapter. It takes place after our main character Kenzie has just accidentally married someone other than her intended prince and looked back to realize that he’s left the symbol of their union, the white flowers, to be run over by a wagon wheel.

“He was right behind them, hurrying to fall in step with the procession, the white-flowered wedding bracelet shredded where it lay discarded by the wheel of the carriage. As Kenzie watched, the carriage started moving again and the perfect white flowers she had so painstakingly woven together from a rare out of season patch in her homeland were crushed and forgotten.”

If the book is by another author, I usually ask them what they have in mind for the cover and their suggestions, even if they don’t have a full cover image in mind, will usually lead to me having some ideas.

 

Step 2 – The Concept

Once you have a vision of what the cover should look like, it’s time to start looking for concept images. These are images that represent parts of, or the whole of the vision you have in your mind. Keeping with Unintended’s cover, this involved finding a wheel, an example of the white flowers, the cobblestones, and a puddle with the reflection of a castle in it to give the fantasy feel. You want to find examples of the colours you want to use and the things that will appear in the image and get them as close to your vision as possible. It’s also helpful to gather passages from the book that describe the various elements you want to include, especially if you’ll be giving these things to an artist or designer to work from like we did with Unintended.

Step 3 – The Design

Now that you have your concept art, it’s time to put those ideas together and create a cover image. This can be done any number of ways. We have artists who paint, those who sketch, and digital artists, and then there’s also the method of using composite images. For the purpose of this blog, let’s say we’re using composite images. For Black Lightning, by K.S. Jones knew she wanted a certain scene from the novel, but she didn’t want to show her main character, Samuel’s, face. Out of the concept images, I found the ones that most closely described what we were looking for, and that I could blend together using Photoshop to create the image we needed.

Step 4 – The final image

Typically in step three, I will be working with low quality watermarked sample images and playing around with them until I get something that works well. If working with an artist, I’ll be seeing their rough work as they try and recreate what I’ve described to them. In this step though, the design has been agreed upon and approved by all parties, and now it’s a case of making the finished product using quality materials and attention to detail.

After that, you just need to add the font – which is of course another crucial design choice 😉

 

Our Submissions are OPEN – Here’s what we’re looking for…

This is it. The moment you’ve been waiting for;our submissions are open once again!

As a small independent publisher, what we’ve found works best for us is to open our submissions in the fall and leave them open until we’ve confirmed our new releases for the upcoming year. This year we’re looking for 3-5 titles to release in 2017 and we’ll keep accepting submissions until we find them.

So how do you submit to us? Well, it all starts here. On our website’s submissions page we list all the types of books we’re looking for and all the ones we absolutely will not be interested in. We also outline what to send us, where to send it, and how long you should expect to wait for a response. We’ve also included some helpful links to videos we’ve made to help you prepare your manuscript and submission package, not just for us, but for anywhere you choose to send it.

But what’s going to set your submission above the rest? What are we really looking for? Well, I’ll tell you.

Your Query Letter

When we receive a submission, the first thing we look at is your query letter. Typically this should be in the body of your email to us. What we’re looking for here is a sense of who you are and what your book is about. Your ability to write well matters even in your query letter because it is your first impression. We’re also looking for the following bits of information:

• Your genre (or target audience)
• Your word count (or scope of the project)
• Your credentials (or writing history)
• Your concept, what hooks your reader.

Your Synopsis

Next, we’re going to look at your synopsis. This should be no more than one page and is simply a way of introducing us to your story, your setting, your characters, and the plot. We’re looking to see if the story interests us, but we’re also trying to gauge your ability to tell a story and wrap it up effectively. We want to see how the story ends and we want to see your style as a writer. Please include:

• Your setting
• Your main characters
• Your concept, what hooks your reader
• Your major plot points
• A satisfying conclusion

Your Sample Chapters

We ask you to send three chapters with your submission package. We’re looking specifically for an engaging opening. We want to be drawn into your story’s world immediately; We want to care about your main character and we want to be interested in what’s going to happen to them. In short, you need to hook us, your reader. Then, you need to hold our attention for three chapters. If you can do that, we’ll ask to see more. We’re looking for:

• Your style, or ‘voice’ of your writing
• Your inciting incident, (again, what hooks your reader)
• Your writing ability (and level of polish)
• Your world-building
• The believability of your characters
• How well you’ve realized the potential we detected in the query letter or synopsis.

If you receive a rejection letter from us:

There are a number of reasons that we might not want your manuscript and we will do our best to tell you exactly why that is. We strive to provide detailed notes for you so that you will be better prepared no matter what steps you choose to take next in your publishing journey. Keep in mind that publishing is a very subjective and selective business and that what doesn’t work for one publisher, may work well for another. Some of the common reasons we pass on a manuscript are as follows:

• It’s not in our genre, or doesn’t fit with our current list of titles (see our collection here)
• It’s not ready for publication and needs improvement of some kind
• Something in it conflicts with our message or values (learn more about us, here)
• It just didn’t interest or engage us
• We ask for the full manuscript, but the story doesn’t realize the potential we see in the sample

I hope you’ve found this blog post helpful and I look forward to reading your submissions!

Go to http://www.mirrorworldpublishing.com/submissions to get started!

 

What are your Publishing options?

A couple of days ago, I facilitated a workshop at the Arts Council Windsor Regions’s Artspeak Gallery as a part of their Art.Work series and in partnership with Bookfest Windsor. The subject of the workshop was Publishing 101 and I’m happy to say it went well and we had a really good turnout.

Since the workshop was a one time thing, and only available here in Windsor, I thought I would share with all of you the materials I prepared for the workshop, so you too can benefit from them. Here goes:

You’ve finished your manuscript, edited it, had beta readers go over it, edited it again, and now you’re ready for the next step. But what is the next step? As a writer with a completed manuscript, what are your options?

Barring doing nothing more than putting that manuscript aside and starting the next one, here’s what you can do to get your book to the public:

• Self Publish
  
• Pay for Publishing Services
  
• Find an Agent
• Find a Publisher

Which option is right for you? Well, that depends on what you’re willing to put in and what you want to get out of the experience. Let’s look at each option individually.

1. Self Publishing

The success of a self-publishing venture is directly related to how much money, time, and effort you put into it. You can do everything yourself cheaply and easily these days and print as few or as many copies as you’re willing to pay for and then do what you wish with those copies, whether it’s giving them away or selling them on a consignment basis at local stores, or directly at local events. Or, you can become an entrepreneur and make a business out of selling your brand and your book, doing all the learning and legwork required to be successful in a challenging industry.

The Pros: When you self-publish, you have control over everything. You make all the decisions, creatively and financially. You get the largest percentage possible of the revenue from your work.

The Cons: You have to do all the work, or pay professionals to do that work for you. You risk a lower-quality book and you face a lack of support. There is a lot to learn and a lot of market-research to be done. You will have less access to the market as a whole and may struggle to get your book in front of readers.

2.  Pay for Publishing Services

I originally had this under the heading of ‘Find a Vanity Press, or Hybrid Publisher’ but I want to be clear about what this option entails. There are a number of companies out there for whom authors are their source of income. They sell publishing services, which allow you to end up with a published book by paying them to produce it for you. A lot of vanity presses are scams, though not all of them are, you just need to be aware of what you’re getting into. Vanity presses are not selective, they charge you to publish your book, and they will often not provide much beyond that original transaction and allowing you to purchase copies of your book from them to re-sell. Hybrid Publishers are a little different. They combine the vanity press model with the more traditional style publishing model. They can be selective, they may offer you more support, but you may still have to pay for their services. Each hybrid publisher is different, depending on how they’ve constructed their business model, so do your research and read your contract very carefully before signing, especially if you’re being asked to pay for any part of the publishing process.

Pros: Your book will be published by professionals. You’re paying for a quality product. The press may offer other benefits at a price.  

Cons: A lot of vanity presses are scams. This method can be expensive. You may receive no support beyond the production of the book, leaving marketing and distribution entirely up to you, just as it would be with self-publishing.

3. Find an Agent

Agents are brokers. They represent your work to publishing houses and try to broker a deal on your behalf, making their profit from this arrangement. It makes sense then that an agent would try and bring your manuscript to the larger, more reputable publishing houses that have deeper pockets. A number of publishing houses prefer to, or will only, accept manuscript submissions from agents, so your chances of being accepted by a larger publishing house are much better with an agent. However, with a smaller publishing house, an agent will likely be of little to no use for you.

Pros: You will have someone other than yourself championing your manuscript. The agent has contacts within the publishing industry they will use to your advantage. The agent can get you a better deal than you might be able to get yourself, and some will offer their advice with the contract process.

Cons: The process of finding an agent, then having that agent find a publisher who wants your manuscript can be a long and frustrating one. A part of your revenue will go to the agent. An agent accepting your manuscript, does not guarantee that a publisher will.

4. Find a Publisher

Publishers are selective. Depending on their size, they have a certain number of books they put out each year and they usually have certain genres or types of books they specialize in. When looking for a publisher, it’s important to consider only those that would be interested in your manuscript, as in ones where your book will fit. A publishing house is essentially a team of professionals that exist to find books they can bring to market and sell. The publisher will handle all aspects of getting your book from manuscript to finished product, including but not limited to: editing, cover design, layout, e-book production, printing, distribution, and marketing. You will still be expected to promote yourself and your book to help it sell, but you will have what support the publisher can offer throughout the entire process.

Pros: You will have a team of professionals behind every aspect of the production and sale of your book. You will have the reputation of the publisher behind you. The publisher access to distribution to get your books to the market. You do not have to pay for any part of production.

Cons: Your contract with the publisher will determine what royalties you are entitled to. You may have less creative control over the final product. The publisher’s schedule decides the release date of your book.

So there you have it. Which option is right for you? Well, that’s a decision only you can make. Even though I’m a small publisher myself, I hope I’ve given you an unbiased view into your publishing options.

 

Ps. As a reminder, our submissions open October 24th! You can find our submission guidelines on our website: www.mirrorworldpublishing.com/submissions 

Mirror World News: Publishing 101

Adam Giles and I cover the basics of Publishing and your options as a writer with a finished manuscript in this episode of Mirror World News. Usually I provide a more in depth breakdown here on the blog to accompany the video, but this time I’ll be doing it in person on October 12th at the ArtSpeak Gallery in Windsor! There’s still time to register for this workshop on publishing and query-letter writing, through the Arts Council Windsor Region’s website acwr.net.

For now though, here’s the episode. Enjoy!