cover art

Cover Reveal: Unreachable Skies, Vol.1, by Karen McCreedy

All of us here at Mirror World are super excited about this upcoming release! Unreachable Skies is Karen McCreedy’s first novel and it is the first in a fantasy/sci-fi trilogy. Yes, you read that right, this is a cross-genre story. It’s set entirely on another world with no humans in sight. The natives of this world are beasts that can fly, until a plague leaves their surviving hatchlings wingless, sending their very-traditionally ordered lives into uncertainty and chaos. Zarda is an apprentice fate-seer tasked with leading her people through this dark and tumultuous time.

Volume One will launch August 17th, and we hope to bring you the rest of the trilogy over the next couple of years.

Without further ado, here’s the beautiful cover: US1COVERedited.jpg

On a world where it is normal to fly, what happens when you can’t?

When a plague kills half the Drax population, and leaves the hatchlings of the survivors with a terrible deformity – no wings – suspicion and prejudice follow. Continuously harassed by raids from their traditional enemies, the Koth, the Drax are looking for someone, or something, to blame.

Zarda, an apprentice Fate-seer, is new to her role and unsure of her own abilities; but the death of her teacher sees her summoned by the Drax Prime, Kalis, when his heir, Dru, emerges from his shell without wings.

A vision that Dru will one day defeat the Koth is enough to keep him and the other wingless hatchlings alive – for a time. Half-trained, clumsy, and full of self-doubt, Zarda must train Dru to one day fulfil the destiny she has foreseen for him, even if it is quickly becoming clear that the Prime’s favourite adviser, Fazak, is not only plotting against the wingless, but is gaining more of Kalis’ trust by the day.

Efforts to fight prejudice and superstition are certain to lead to death for some and exile for others; while Zarda’s own journey to understanding her role in events may lead her to abandon all tradition in order to protect her peoples’ future.

Pre-Order is available on Amazon: https://www.amazon.com/Unreachable-Skies-Vol-Karen-McCreedy-ebook/dp/B07F4KX451/ref=sr_1_1?ie=UTF8&qid=1531687097&sr=8-1&keywords=Karen+McCreedy

Or in our Online store: https://mirror-world-publishing.myshopify.com/collections/poetry/products/unreachable-skies-vol-1-ebook

Unreachable Skies: Vol. 1 – Paperback

Or wherever you prefer to buy books.

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About the Author:

Brought up in Staffordshire, England, Karen McCreedy now lives in West Sussex where she works at the University of Chichester.

She has written articles on films and British history for a number of British magazines including ‘Yours’, ‘Classic Television’, and ‘Best of British’.

Karen has had a number of short stories published in various anthologies. She also won second prize in Writers’ News magazine’s ‘Comeuppance’ competition in 2014 with her short story ‘Hero’.

‘Unreachable Skies’ is her first novel.

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Cover Design 101

Cover designer is one of those hats I didn’t expect to wear when I started Mirror World. At the time, I was fairly new to Photoshop and I’ve never considered myself to be an artist. But the most important part of designing a cover for a book is having a vision of what it should look like and being able to communicate that vision to create a final product, whether you end up making it yourself, or finding an artist or another cover designer to realize it for you.

So how is it done, then?

Step 1 – The Vision

As I read or write the book, I try to keep an eye out for a scene or for facets of the book that would make for a good cover image. For Unintended, for example, the scene on the cover is the from the end of the first chapter. It takes place after our main character Kenzie has just accidentally married someone other than her intended prince and looked back to realize that he’s left the symbol of their union, the white flowers, to be run over by a wagon wheel.

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“He was right behind them, hurrying to fall in step with the procession, the white-flowered wedding bracelet shredded where it lay discarded by the wheel of the carriage. As Kenzie watched, the carriage started moving again and the perfect white flowers she had so painstakingly woven together from a rare out of season patch in her homeland were crushed and forgotten.”

If the book is by another author, I usually ask them what they have in mind for the cover and their suggestions, even if they don’t have a full cover image in mind, will usually lead to me having some ideas.

 

Step 2 – The Concept

Once you have a vision of what the cover should look like, it’s time to start looking for concept images. These are images that represent parts of, or the whole of the vision you have in your mind. Keeping with Unintended’s cover, this involved finding a wheel, an example of the white flowers, the cobblestones, and a puddle with the reflection of a castle in it to give the fantasy feel. You want to find examples of the colours you want to use and the things that will appear in the image and get them as close to your vision as possible. It’s also helpful to gather passages from the book that describe the various elements you want to include, especially if you’ll be giving these things to an artist or designer to work from like we did with Unintended.

Step 3 – The Design

Now that you have your concept art, it’s time to put those ideas together and create a cover image. This can be done any number of ways. We have artists who paint, those who sketch, and digital artists, and then there’s also the method of using composite images. For the purpose of this blog, let’s say we’re using composite images. For Black Lightning, by K.S. Jones knew she wanted a certain scene from the novel, but she didn’t want to show her main character, Samuel’s, face. Out of the concept images, I found the ones that most closely described what we were looking for, and that I could blend together using Photoshop to create the image we needed.

Step 4 – The final image

Typically in step three, I will be working with low quality watermarked sample images and playing around with them until I get something that works well. If working with an artist, I’ll be seeing their rough work as they try and recreate what I’ve described to them. In this step though, the design has been agreed upon and approved by all parties, and now it’s a case of making the finished product using quality materials and attention to detail.

After that, you just need to add the font – which is of course another crucial design choice 😉

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